Bees on Flowers - painted quilts

I made a few small art pieces with bees on flowers several years ago.  A recent sale of a couple of them led me to wanting to paint a few more.  I have hundreds of pictures of bees on flowers, and it was hard to narrow it down to the ones that I thought would look good as art pieces.  Here are 2 that I landed on:

The technique that I use for this kind of art quilt is to trace the details of the picture using a light box.  I don't draw the background, though.  That part comes with the painting of the blurry details.  Here are the tracings of the photos:

Next, I took the tracings to my favorite print shop in Portland and had the tracings enlarged so that they would be 12" on the long side.  That seems to be a size that is attractive to buyers.

I hope to show you some progress on the actual pieces in the next post.  

Mod Squad Challenge 2025 - Part 3 and Final - J.A.R.

This is a continuation of 2 previous posts about the making of the Mod Squad Challenge for 2025.

I decided to quilt the piece with 4 different colors of thread - purple to match the background, yellow, peach, and sea green.  The stitches are 1/4" apart and were randomly placed to both show and highlight the threads.  Like most quilts, it looks more interesting in person than in the picture.  

I named it J.A.R. (for Joanne Adams Roth and for the colors of Jonquil, Avid Apricot, and Retro Mint).  It measures 24" W x 36" H.

I hope you like it!

Preparing fabric for applique

I prepared some fabric for my machine applique class by following a technique using Mod Podge.  This was shown on The Quilt Show by Kestrel Michaud in episode #3303.

You  mix 1 part Mod Podge with 3 parts hot water.  So, 1/4 c. mod podge with 3/4 c. hot water makes 1 cup of dilute "glue" to bind the fabric threads to each other.  What it does is to keep the tiny thread edges from fraying as you stitch them down.  For a lot of machine applique, it doesn't really matter.  But when you're make an art piece using raw edge techniques, especially the face, it looks so much better when the threads don't ravel.  

I laid the pieces out on a Teflon sheet, then mixed the Mod Podge and painted it on the pieces.  

I let it dry overnight, peeled them off the Teflon sheet, and then cleaned up the Teflon sheet with a scratch pad.  The pieces are pretty stiff, but the color doesn't change once it's dry.  (Below is a picture of the pieces when they were still wet.)

I hope you get a chance to use this technique!  And I hope my students appreciate the extra step I've taken to ensure their success.