Lime Twist Challenge Quilt - part 2

This is a continuation of a previous post about the making of the Lime Twist Challenge quilt.  I also wrote a few blogs about making skinny inserted pieces.  I made pieces that were both curved and square-ish and tossed them up on the design wall.   Here's what the jumble of improv pieces looked like when I had a few made and started to make sense of the jumble.  

I could see that there was circular connection with some of the blocks.  So, I decided to make a few more and fit them into that section.  Some of the pieces were intentionally made long and skinny; some were made small and patchy.  In my late night musings, I also thought about appliquéing a few circles on the top.   I like the prints that I used and the tiny bits of orange that started to show up.   Here were the next few steps which involved making the next block or two that would seem to work with what was already on the design board.  This is part of what makes improv tough....what to do next.

And then the next few pieces tossed up on the wall, plus moving a few others around.

It was time to let it sit for a few days and take another look.

I hope you are enjoying the process so far.

Inserting skinny lines perpendicular to each other

This is the 4th post about inserting skinny lines into improv blocks.

This post is about inserting skinny lines across a plain block, then cutting through it perpendicularly and adding more inserts.  All of the insert pieces were cut at 3/4" wide to start with.

The first block was done by slicing across the block and inserting a strip of gold fabric, with a reveal of slightly less than 1/4".  The block was then cut across in 2 areas and lime green strips of fabric were inserted.  This method slightly offsets the first line in the piece, which looks fine for an improv block.  I suppose you could get fussy and try to line up the pieces, but then your improv juices get turned off.

The second block was cut in half and the sides were then also cut in half.  Gold inserts were put into the halved halves (revealing 1/8" strips of gold), and then the two sides were sewn together with a slightly larger reveal (revealing 1/4" strips of gold).  This method preserves the straightness of the first improv insert.

I hope you try these techniques in some of your improv blocks.

Inserting skinny lines into wavy improv landscape type pieces

This is the 3rd post about inserting skinny lines into improv pieces.  These blocks were made with a wavy improv technique that was first taught to me by Jean Wells.

I started with 5 different fabrics to make two pieces.  Two were in shades of lime green;  one was a hand dyed army beige; one was the gold fabric, and the blue was from Marcia Derse's collection.

The first step was to cut the bottom and the next piece with the curved shape.  This was done by laying them on top of each other and cutting the curvy improv line.  After removing the pieces underneath, the pieces were sewn right sides together with a 1/8" seam and 2.0 stitch length.

The piece was pressed and the 3/4" skinny gold line was attached.

This was pressed and trimmed and the next piece was cut to match the curve.

It was sewn, pressed and trimmed, then the next piece was cut to match the curvy seam.

That piece was trimmed and the final piece was trimmed and sewn, then the whole piece was pressed and starched.

Here is the final piece, which will be trimmed when it gets added to the quilt.

The second block was made in the same manner with the same fabrics.

I hope you like this wavy improv way of making blocks with skinny inserts.

Inserting skinny lines - square in a square

I was asked to do a little workshop on how to insert skinny lines into quilts.  I've done a bit of it before, and wanted to include both straight line inserts and curved inserts and both of varying widths.  I took inspiration from Weeks Ringle and Bill Kerr, Irene Roderick, Cindy Grisdela, and Jean Wells, among others.  It seems like the super skinny lines are showing up more often in quilt shows and  that intrigued me.

I showed skinny lines inserted into curved pieces that finished about 1/8" on a previous blog.  These will be  about 1/4" inserted into a square in a square block.  I cut a wonky rectangle to start with.  To this, I sewed the 3/4" strips of gold with a 1/8" seam, pressed, and trimmed them to 1/2" from the sewn line.  I used strips about 3" wide from the lime green fabric and sewed those in the next row with 1/4" seam allowance.  

I trimmed them wonky after they were pressed, and to be 1" to 2" wide.  

The process continued with more 3/4" strips of gold, and one more row of lime green.  On one side, I inserted a strip of gold.  The piece ended up about 7-1/2" x 7-1/2", with one side wonky.  I may or may not trim this when it gets sewn into the quilt.  

I hope this helps sew skinny lines into some of your blocks.

Challenge piece for the Mod Quilt Squad - Lime Twist

The newest challenge for the mod squad group was announced.  The theme is "Lime Twist".  The pieces must have lime green in them, some gold, be improv pieced, be Kintsugi inspired, and be 24" W x 48-60" H.  I pulled out blue fabrics from the Marcia Derse collection, some dyed fabric, lime green and other shades of green fabric, and two gold fabrics for the color scheme that I envisioned.

I didn't start with a design, just the black lines of the space to fill on my design board.

Then I pulled out all of my books and blogs about making skinny lines and started making improv pieces.  This is a skinny line curved technique that I found in Irene Roderick's book.  I started with two pieces of 8" x 8" fabric, and 3/4" wide strips of the gold fabric.  It seems counterintuitive that you use straight pieces for the inset curved parts, but it works!  Well, with a little steam and starch and very skinny seams.  First, I free hand cut the first curve with both the blue and green fabrics stacked right side up.

Then, I took the 3/4" gold fabric and using an 1/8" seam, sewed this to the first curved piece.

This was pressed away from the skinny strip.  I trimmed 1/4" off the skinny strip and using a 1/8" seam and LINING UP THE PREVIOUS SEAM LINE, sewed the outside piece to the skinny strip.

I pressed the seam away from the skinny strip again.  Note that the sides won't match up anymore.

I decided that one more slice was needed, so I followed the same steps as with the first insert.  This time, though, I left a slightly larger piece of the gold, maybe a 3/16" width away from the first stitching.  After it was pressed, I trimmed the pieces to be even on the sides.  I ended up with two blocks with two inserts, one ended up being 6-1/2" x 7-1/2" and the other one was 7-1/4" x 8".   So, for future reference, I'll know that the final block is indeterminate until after pressing and trimming!  And that centering the pieces gives a little bit larger end piece.

That's all for now.  I'm going to try to write a couple of blogs about making skinny inserts so that I can share the techniques with my Mod Quilt Squad.

I hope you like the pieces so far!

Transferring and painting birds onto an art quilt

I've used a technique to transfer and paint birds onto art quilts a few times and thought it might be helpful to share it, step by step.

I have a few sketches and pictures of birds in my sketch book.  When I want to add one to an art quilt, I trace the bird onto tracing paper with a fine tip permanent marker.  This tracing is pinned to the art quilt.

I quilt through the paper using a dark thread and short stitch length, which is done by slowly moving the quilt while using a fairly rapid speed and the darning foot (or free motion foot). 

The paper is then ripped off.  If you use thin tracing paper, this comes off very easily.

I use  Inktense pencils and a small amount of clear aloe vera gel and paint the area inside the thread.  When it dries, it is permanent.

I hope you can use this technique on some of your quilts.  

Green Lady #3 - part 4 - FINAL - Dressed Up Gardener

This is a continuation of 3 previous posts about the making of Green Lady #3.

I used several kinds and colors of thread during the quilting phase.  Most of these threads got tried in the longarm; some worked and some didn't.  So some of them were quilted on my domestic machine.  And some got added by hand.

 One thing that I learned is that it is VERY DIFFICULT to hand embroider through fabric that has been attached with Steam-A- Seam.  Sticky and tough.  Ugh.  Anyway, I persevered and here is the final quilt.  It measures 36" W x 50.5" H.  

I named it "Dressed Up Gardener".  

I hope you like it!