Monday, June 19, 2017

Painted Flower Completed

I wrote an earlier blog about how fun it was to take a class from Susan Brubaker-Knapp.  She taught her painting on fabric technique at Asilomar this spring.  The flower that I chose to paint was from a picture taken by my friend, Rachael Brake.

In an earlier post, I showed the painting part.  Now I'm showing you the finished piece.

I quilted it in several colors of thread.  I did rocks and gravel in the gravel background, leaves in the leave background, and very little stitching in the flower so as not to cover up the painting.

Rachael's flower by Joanne Roth


close up of gravel quilting

close up of leaf quilting


I hope you like it!

Monday, June 12, 2017

Modern Chic and Jazzy, Part Two

I wrote a previous blog about sewing the top for this fun and modern quilt.  This one is about the quilting.

I played around with a couple of different ideas for the quilting.  At one point, I thought that I might do feathers.  At another point, I thought that I would do a lot of circles and other fun stitches.  In the end, I went with the more modern approach, and I ending up liking it a lot.

The quilting templates that I bought from Jamie Wallen a make it so easy make nice small circles.

Since I made this quilt for our charity auction, I was not being that careful in the quilting.  I don't know if this is a bad thing or a good thing, because once I give myself the license to NOT worry about it being judged, it gets progressively sloppier and sloppier.  But sometimes, it's nice to give yourself a little more artistic freedom and go for the fun and not for the perfection.  Don't you think so too?

So here it is all complete, with a close up to show you the quilting.

Modern Chic and Jazzy by Joanne Roth

Close up of quilting


I hope you like it!

Monday, June 5, 2017

Binding Services

I've offered binding services to raise money for the auction for Clark County Quilters for a couple of years in a row now.  I wrote a blog about the scalloped edge quilt that I bound last year.  This year I finished a quilt that is large, but had nice straight edges.

The person that bid on the services made a quilt for a friend's son who is undergoing cancer treatment in Texas.  What a special gift this person made, and what a special person she is.  I have run across so many generous and giving people in all the years I have been quilting.  Yet it always amazes me when I hear the stories.  Do you go to your local quilt guild meetings and hear the same kind of stories? I bet you do.  And if you aren't a member of a local quilt guild, why not?  Get out there and absorb some of the kindness in this world.

While I worked on the binding for this quilt, I vibrated my good thoughts for this unknown son.

Quilt by Monique Clark of Portland


I hope you like the quilt.

Monday, May 29, 2017

Modern Quilt - Chic and Jazzy Pattern - Part One

I have so much fun making modern quilts.  One company, Sew Kind of Wonderful,  has been putting out patterns to go along with their tools and I've made my second pattern now.   The pattern name for this one is called, "Chic and Jazzy".  The pattern instructions call for making 12 blocks and sewing them in a strong vertical and horizontal setting.  But I thought that I would like it better as a block set on point, so that's what I did.  Here are the changes that I made.

First, I had to make 13 blocks instead of 12.  Second, I changed the sashing from 6" to 4" so that there would be less white space, but still plenty of room for fancy quilting.

Original pattern

My design idea

I like lime green - have I told you that yet?  I bet I have.  I also like turquoise and teal.  So for this quilt, I used the green in place of the gray called for in the pattern, and used different fabrics for the centers and the surroundings for each block.  I have a lot of lime green fabrics.  Who knew how much, just a lot!  I also have a lot of turquoise and teal.  Yes, many piles reside in my stash.

So fast forward.  In order to do an on-point setting, I had to calculate the size of the setting triangles for the edges.  Since I had 12" blocks and 4" sashing, this was an easy calculation = 16".  I drafted a pattern on freezer paper that was 16" on each edge.  This was placed on the white fabric so that the long edge was on the grain line lined up with the selvage edges.  Then I folded this pattern in half, and cut another pattern for the corner triangles.  Those were placed on the white fabric so that the long edge was on the diagonal.  Paying attention to the grain line is important to make sure the outside edges are on grain when the top is completely sewn.

Pattern piece cut from freezer paper

I always over-cut the setting triangles so that the quilt can be squared up in the end.  In order to get the right sized triangle to fit, I marked the 16" from the corners, and made sure this lined up with the edges of the blocks.

Over-sized triangles for the edges

The top ended up measuring 60"x 60".  Here it is almost done sewing.  This picture shows how you sew the rows to get the on-point setting.  It's sewn into diagonal rows.  Then the rows are sewn together.

Top almost sewn together

Top all sewn, waiting to be quilted
 I plan to use the green for the binding, and do the quilting with heavy batting so that it'll pop.

I hope you like it so far.




Monday, May 22, 2017

Binding a quilt that has been trimmed even with the edge of the top

My previous post showed you what I do to maintain full binding when I start with an untrimmed quilt.

Sometimes, I sew on binding for our charity group or for a friend.  In those cases, the quilt usually comes to me already trimmed.  And most of the time, it is trimmed even with the edge of the top, leaving only 1/4" seam allowance.

Since most binding is cut at 2-1/2", which gives a 3/8" finished binding, the 1/4" seam WILL NOT fill the binding.  There will be a little bit of space with nothing inside.

To fix this and still end up with a full binding, I sew a 3/8" seam.  Start the first end 3/8" from the edge, and pin the binding even with the edge of the quilt.



Sew with a 3/8" seam.  I eye 1/8" outside my 1/4"mark on the walking foot because I can't see the 3/8" mark on my sole plate while I'm sewing this seam.


When you fold the corners, place the fold even with the edge.



Keep sewing all side, leaving a tail at the end.  Sew a corner per my previous post.

You don't need to trim anything off after you've sewn on the binding.  It will be FULL with the 3/8" seam allowance.

I hope you use this technique the next time you add binding to a quilt that has been trimmed even with the edge of the top.  Yes, you will lose 1/8" of the top, which may end up cutting off the points of some blocks.  But most of the time, there is a solid piece of border fabric on the outer edges, so it won't affect the look of the quilt at all.

May all of your bindings be FULL.

Monday, May 15, 2017

Just serging away the day

I have been sewing nearly all of my life and I have finally bought a serger.  So I'm learning how to use a new machine.  That's good for my brain, don't you think?

My friends advised me to go with a Baby Lock serger, and to make sure and get one of the newer models with the automatic threading and the ability to do a cover stitch.  So I sold some old diamond rings that were sitting in my safe, and splurged.

Here is my new serger!  Its the Evolution, which can sew just about everything and hold eight spools of thread.


So far, I've taken one beginning class and have watched a ton of YouTube videos.  What did we ever do before YouTube.  And a huge shout out to those of you that do videos!

I dived right in and pegged an old pair of yoga pants (so that they're not the old fashioned bell bottoms), made two pairs of legging/pants, and have made two knit tops.  

I'm having so much fun.  I don't know why I waited so long to get one!  Well, maybe it's all the quilts that are running through my head that keep me more interested in making quilts than in making clothes. And one more toy.....

I hope you enjoy learning new things too.

Monday, May 8, 2017

Quick technique for quilt hanging sleeve

I learned a new quick technique from a quilting friend and I thought that I would pass it along to you!

Most quilt shows call for a 4" hanging sleeve, and I've heard that some are calling for a 4-1/2" sleeve now.  Wow.  In order to make the quilt hang nicely, the sleeve needs to have more space on the outer (or back) edge and less up against the quilt itself.

My friend told us to cut the sleeve at 9" wide and the length needed for your quilt.  Then press this is half lengthwise.



Open it back up, then press both sides to the center.



Put these two raw edges together and sew a 1/4" seam.  (in the picture below, you can see that I sewed the seams on the edges first, since these are easier to sew when the sleeve is flat).




Press this seam to one side carefully, so that you keep the previously pressed edges.


Now when you put this on the back of your quilt, you will automatically have two pressed sides to sew onto the quilt.  The beauty of this technique is that you will also automatically have more space left for the slat.



Hope you like this technique too!

Monday, May 1, 2017

Corner binding tool - update


I wrote a blog about my favorite corner binding tool, called the "Corner Mark-It " on March 14, 2016.  You can find it here:  binding blog on March 14.  I have told so many people about this tool, and unfortunately, it had been taken out of production, so was not available.

One of my friends has sleuthed out a new tool very similar and showed it to me this week.  Its called the "The Binding Thingy ".  She found it on line at Annie's Craft Store.  They have a great set of pictures on how to use it and there is also one on YouTube.  Here is a picture of it:



So go and read my earlier blog about how to use this device and look at the new videos and pictures on the internet.  Happy binding at all of your corners!

Empty Spools class with Susan Brubaker-Knapp

I have been wanting to take a class in painting on fabric, and the expert is Susan Brubaker-Knapp.  One of my friends mentioned that she was going to Asilomar to take classes and that several other people from my guild were heading that way in April 2017.  So I jumped at the chance to take this week long class and have some fun traveling with my local quilting friends.

I didn't think too much ahead about where Asilomar was and how long it would take to get there.  But a few weeks ahead of time, my husband asked me where it was, so I looked it up.  Wow, I discovered that it's a long ways away and 4 days of travel R/T is what it took to get there.

I also started looking at the supply list and realized that I need to get my rear in gear and take and print the pictures and match thread to what I think I wanted to paint.  Yikes!  One of my friends takes fantastic up close pictures of flowers in her yard.  I asked her if I could use one of her images and she said yes!  So here is the one that I chose to paint in the class.

Photo by Rachael Brake
The class decided that the white tips on the flower petal should be "up", so I painted it that way.  The technique is super easy.  Well, easy when the teacher is in the room with you for 5 days!  You enlarge the photo to the size you want to paint, trace it onto tracing paper, trace the design onto PFD (prepared for dying) fabric, then just mix up your paints and paint the traced areas.  Add a little thread stitching, and that's it.  So here are some pictures at the class and at the retreat center.




Paints all mixed

Photo on bottom; painted piece on top
Here is my shot with Susan.

Susan Brubaker Knapp and Joanne Adams Roth

Here are some pictures of my friend's pieces.

Cat by Wilma Scott

Bird by Wilma Scott

And here are some pictures of the beach at Asilomar and my friends relaxing in the lodge.

Beach at Asilomar



Sharry, Margie, Audry and Wilma




Flowers from Asilomar

I just couldn't resist sharing pictures of all the flowers that were blooming at Asilomar.  We've been drenched this year in Washington, and some are calling our area "The Pacific NorthWET".  Our flowers and blooms are a month late.  So when I went to Asilomar, which is just outside of Monterrey, California, I was knocked over by all of the color.  Here are some pictures taken on my daily walks.  Enjoy!



















Monday, April 24, 2017

Powerline #6

I sketched up a few background designs while watching TV the other night.  I had in mind to make a white and light gray background.  So I played around with straight lines, wavy lines, complicated complex lines and ended up with about 20 ideas.



Then I cut up some green construction paper and laid the strips on top of my sketches to see how it looked.  In the end, the most simple background seemed to be right.  All the more complex ones kind of lost their look with the strips on top, so I figured...why go to all that work when it would barely show?  Save those ideas for a future version.

I pulled out all my gray fabrics and took monotone pictures with my cell phone.  The lightest ones looked the best and I narrowed it down to 3 shades.  These were cut into relatively narrow strips varying from 2" to 3".



The white background, which I wanted to predominate, was cut into varying widths as well, from 3" to 5".  The strips were laid out on my design board in a pleasing manner, then sewed and pressed.



I turned to a lesson from a strip piecing class and used it as a jumping off point to design the strip set for this quilt.  I wanted to use some of my green fabrics, and when I pulled them all out and laid them in color waves, I decided to add some of my light turquoise/teal fabrics too.  I knew that I wanted to stay in the light to medium range since I had an idea to offset the color with dark gray and wanted the contrast.

After sewing and pressing the color strip set, I cut it into 6" wide strips and added gray borders.  I have found through the previous 5 powerline quilts that it is easier to sew together the odd pieces, which are on the bias, if I first stabilize the strip sets with a solid piece.  That way I'm not dealing with multiple bias edges, raveling edges, and seams that want to pull apart.



This quilt was a little tricky to piece because of all the horizontal lines.  I first folded the vertical strip in half and marked the background along this line.



In order to make sure it was straight, I used two rulers at a time, then removed one of them to do the cutting.  This left me with the left and right pieces.




 I then did the same kind of marking of the center for the horizontal strips.  After calculating the distance from the center to the seam, I marked and cut it then inserted the horizontal strip between the cut lines.  I did this to both of the left side strips pieces.  In order to make sure the right side would match up, I pinned it in place, matching the horizontal gray lines and matching up the previously sewn horizontal strip sets.


After marking and cutting the background, I inserted both right hand strip sets.  And voila!  It worked out.

Powerline #6 Piecing done
And here it is quilted and faced.

Powerline #6, 47" W x 56" H, by Joanne Adams Roth


I hope you like this more modern summery version.